Review
The exchange proved to be as fruitful for the artists as it was for the Shakers.
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In her stimulating book, Eva Díaz presents more than 30 conceptually minded artists who “reconsider how the applications of technologies used in near and outer space, once billed as progressive and exploratory, are today rife with negative effects such as resource depletion and privatization, economic inequality, and racial and gender domination.”
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
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With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
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Staffed with billionaires including Elon Musk, the richest man in the world, and Trump himself, a reputed billionaire, the present administration is made up of the country’s lords — and we are their serfs.
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Two cheers for monogamy in Steven Soderbergh’s “Black Bag”
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In Berlin, the closest thing to a consensus on “Kontinental ’25” was that the film didn’t measure up to Romanian director Radu Jude’s customary standards. My view is that the critics didn’t look hard enough.
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A provocative commentary on our need to recognize our our common humanity, the film is, at its heart, a painfully cautionary tale.
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Two essential documentaries look at the legacies of Leni Riefenstahl and Elie Wiesel.
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The sprawling cast — 30-plus players — under Michael Arden’s direction performs with verve; they deliver outstanding performances and have excellent singing chops.
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