Review
The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
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Three powerful albums showcase the imaginative visions of Arturo O’Farrill, The John Santos Sextet & Friends, and Rachel Therrien’s Latin Jazz Project.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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The Huntington Theatre Company’s production of “Don’t Eat the Mangos” commands attention with its blend of entertainment and enlightenment.
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A clever British import and a soulful Cuban music-fest reflect a season that delivers the full range of musical storytelling Broadway’s been missing
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Check out the book to absorb the trajectory of Doc Watson’s career from impoverished guitar player to becoming an icon of Americana, and a repeat winner of Grammy Awards.
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Heartwarming themes of love lost and the emotional power of music are undercut by a script constructed for the sake of dramatizing ideas rather than characters.
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The Sphinx Virtuosi is terrific: the group’s unified tone and articulations, impeccable responsiveness and technique, and command of stylistic nuance are all of the first rank.
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The all-too-human propensity for not only telling yourself what you want to hear but taking what you see at face value is what drives the action.
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For those with an appetite for lyrical absurdity, this dark and demanding journey into a bedeviled night will repay the effort.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues