Review
Dario Fo’s dark comedy still deserves its reputation as a classic.
How palpable is the combat in Nowhere to Hide!
The Huntington Theatre Company’s production of Molière’s classic is bright and energetic.
Child Alice is an important addition to the recorded catalogue of major American symphonic music.
Robert Frank had dared overturn the central conceit of the great photographs of the Farm Administration 1930s; that the poor were noble creatures.
The BSO’s performance of the Alpine Symphony had purpose and direction.
Probably as it should be for a group called the Actors’ Shakespeare Project, the performances in Julius Caesar are the thing.
Leann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.
The BPYO is as responsive, confident, technically skilled, and emotionally expressive an orchestra as they come.
I enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
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