Review
Set in Boston’s rock scene during the ’80s, the mystery World Enough serves up plenty of compelling entertainment.
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Coming of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Comparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.
The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
Far more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.
That’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.
Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Poet Rob Cook bends time and space at will, dispenses with natural laws when convenient, and shuffles sensory perception like a deck of cards.
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