Review
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
I love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
Three incisive visions of what’s to come from largish groups of committed musicians.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
What has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?
Brian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
I miss the precocious, mischievous, darkly cunning, and troubled characters Gary Oldman once portrayed so beautifully.
Reading Nikki Giovanni, one is inspired to never cower, to never beg, to never surrender.
I can unequivocally say this is the most masterful and beautiful film of the year.
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