Review
Despite its drawbacks, this is a powerful production that speaks to what is happening today.
The BBC Scottish Symphony Orchestra gives sold readings of two Michael Tippett symphonies.
The San Francisco Symphony delivers performances of chamber-like sensitivity and remarkable transparency.
This Proof’s weakness comes from the thinness of its lead performances.
A round-up that includes: irresistible Beethoven, welcome arrivals of spring, a spirited celebration of Toscanini, and spectacular, revelatory Tchaikovsky.
Time seemed to stand still, a reflection of Jeremy Denk and Stefan Jackiw’s astonishing polish — they understand the music of Charles Ives deeply.
A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.
Paavo Järvi and the Estonian Festival Orchestra present a probing and excellent version of Shostakovich’s Symphony no. 6.
Dorothy B. Hughes is one of the finest female practitioners of noir.
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