Review
Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.
Cold War is a timeless story of romantic love, and its persistence in the face of upheaval.
Josh Begley, in a mere six minutes, demonstrates how impossible the notion of a border wall is, from an engineering and construction perspective.
Becoming is a contemporary woman’s adventure told by an intelligent, funny narrator who took a leap out of her comfort zone and came out of it, with her family intact, to tell the tale.
This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
Demanding that people pay attention to quality is about as audacious a demand you can take in our giddy culture.
In its efforts to cram so much information into so small a space, the narrative becomes unfocused.
A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
Pledge is Daniel Robbins’ third film, and his first really good one.
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