Review
Despite the soap opera details, Everybody Knows never becomes implausible.
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
What makes Portland Stage’s production of Earnest such a delight is its physicality.
Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
Shame on you, Academy, for such feeble, uninspired, downer picks.
It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
This fine collection of short fiction reinforces Richard Power’s reputation as a master storyteller.
I’d like to close the first week of February with a recap of January’s new releases, the best and the worse.
I’m impressed with the new adaptation and depressed that it’s considered necessary.
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