Review
In very different ways and on very different topics, three recent books assuage notions that architecture/design books are formidable reads.
Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
Francois-Adrien
Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.
This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.
The script offers an indispensable vision of American history from the point of view of African women.
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