Review
Jake Gyllenhall and company will survive this broad satiric lark, as will the art world.
Magos Herrera teamed up with the Brooklyn Rider string quartet to create a collection of music that makes its case for life, love, and liberation through its sheer beauty.
Even an imperfect work-for-hire like Damaged Lives can show the touch of an artist.
Richard Muti draws playing of full-blooded passion from Chicago Symphony Orchestra, Thierry Fischer conducts Camille Saint-Saëns with a sure hand, and violinist Tasmin Little’s new recording of neglected violin-and-piano pieces by mid- and late-Romantic women composers is terrific.
Eric Dolphy fully deserves the renewed attention that this important release demands.
One of the key reasons that Sex Education works is due to its frank depictions of what sex, or lack thereof, is actually like in high school.
What few signs of the rich culture embedded in Danza Orgánica’s artistic director and choreographer Marsha Parrilla’s heritage made token appearances.
The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.
Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
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