Review
The seven-man musical wrecking squad from Austria called Mnozil Brass has created a combination circus band, village band, marching band, and vaudeville orchestra.
The show cemented Joe Jackson’s reputation as an inscrutable and enigmatic songwriter, a talented musician and social outsider who speaks for Everyman.
It is safe to predict that the winner in this category will be one of the entries that squares off against mortality.
This studio outing emphasizes superb ensemble playing; the result in a beguiling album in which just about every note shines.
Anchored by the assured direction of Cailin Doran and Jade Wheeler’s dazzling performance, Who is Eartha Mae? sings with truth.
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
What makes Portland Stage’s production of Earnest such a delight is its physicality.
Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
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