Review

Book Review: “Making Music American — 1917 and the Transformation of Culture”

February 28, 2019
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1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.

TV Review: “The Umbrella Academy” — What Doesn’t Kill You Makes You Stranger

February 27, 2019
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What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.

Classical Music CD Reviews: Juan de Arriaga’s Orchestral Music, Lortzing Overtures, and Boieldieu’s Piano Concerto et al.

February 27, 2019
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Francois-Adrien

Visual Arts Review: “Harry Dodge: Works of Love” — Meaning Comes Extra

February 27, 2019
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I fell for the Harry Dodge exhibition, but I confess to not entirely ‘getting the picture.’

Classical Music CD Reviews: Michael Gordon’s “The Unchanging Sea” and Alban Berg’s “Wozzeck”

February 26, 2019
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Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.

Concert Review: Boston Philharmonic Youth Orchestra plays Britten, Schwantner, and Holst

February 25, 2019
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This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.

Theater Review: “Wrestling With Freedom” — Invaluable History

February 25, 2019
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The script offers an indispensable vision of American history from the point of view of African women.

Concert Review: Boston Modern Orchestra Project plays John Corigliano

February 24, 2019
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John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.

Film Review: 2019 Oscar-nominated Best Animation Shorts — Angst Galore

February 23, 2019
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The Oscar-nominated animation shorts are a dark lot this year.

Theater Review: “The Heath” — Shakespearean Resonances

February 23, 2019
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It’s impossible not to be moved by Lauren Gunderson’s elegant, understated writing.

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