Review
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
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What makes Portland Stage’s production of Earnest such a delight is its physicality.
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Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
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Shame on you, Academy, for such feeble, uninspired, downer picks.
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It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
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In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
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This fine collection of short fiction reinforces Richard Power’s reputation as a master storyteller.
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I’d like to close the first week of February with a recap of January’s new releases, the best and the worse.
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I’m impressed with the new adaptation and depressed that it’s considered necessary.
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RISD Museum’s well-curated show Bona Drag is a powerful act of remembrance.
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