Review
Avoiding pat formulas and enlisting unexpected aides de camp are probably the only ways that Bob Weir and his fellow founding Grateful Dead mates can avoid turning into a stale nostalgia act.
Rather than focusing on Mexicans in the United States, historian Carrie Gibson posits an expansive transnational history.
Expert performers and taut direction make this Cloud 9 a natural high.
This set of discs will be a delight for any fan of advanced (and incredibly sustained) creativity in music.
These records are filled with music from some of the most intriguing and, indeed, sought after, jazz musicians playing today.
What did this aging hippy, this elder of our world learn? To live a life without apologies.
The BPYO’s repertoire in Brazil is drawn from last year’s programs and is built around Rachmaninoff’s Piano Concerto no. 2.
Jamestown is a vividly timely reminder that anyone who calls themselves an “American” is actually descended from immigrants.
Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
Jazz Appreciation: The Double Six of Paris — A 60th Anniversary Appreciation
2019 is the 60th anniversary of the formation of the Double Six of Paris, so it is a good time to shine a spotlight on the group’s spectacular work.
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