Review
Us is a comic-horror allegory about the revolution of the underclass.
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I saw a handful of fiction films which were well directed, capably acted, and offered meaningful stories.
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In more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.
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Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.
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C.D. Wright has woven a poetic text that mirrors the tangled intimacy between humans and the beech, in all of its violence, its confusion, and its beauty.
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The first three films I watched at SXSW this year were picked by me with the editors in mind. Not coincidentally, the editors also had pedigreed Massachusetts roots.
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Springtime hits are on doubt on their way, but let’s not forget about February.
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When it comes to jazz, you can be pretty confident that when you put excellent players together — whether they know each other or not — something very good will happen. And it did.
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Monica Bill Barnes, a dancer-choreographer, mime, storyteller and soft satirist, has riffed in the past on the pitfalls of dancing, the vanity of performers, the absurdities of adolescence. Now she’s looking at gender displacements and assertions.
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What are the best new documentaries available on digital platforms? Read on.
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