Review
Faye Dunaway has chosen Tea at Five as the vehicle to bring her back to Broadway after a 37-year absence. Would that she had waited a bit longer for a vehicle more worthy of her considerable talents.
People versed in modern witchcraft or paganism may recognize some of the themes examined in Midsommar, but what I found most fascinating was the pronounced emphasis on female sexuality.
Ophelia is moving, intoxicating, haunting: the most visually pleasurable film I’ve seen so far this year.
Neither narrative proffers an uplifting tale of female empowerment, but that is precisely their strength.
Five Cities is a species of psychogeography, a deep map, that weighs the effects of topography, urban environments, and monuments of the past on mood and perspective.
Satoko Fujii and Ramon Lopez are clear-eyed adventurers; this is free jazz that shimmers with inquisitive transparency.
A passion for authenticity characterized this mesmerizing program from beginning to end.
Finding independent films that may or may not receive wider distribution, as well as talking to filmmakers anxious to answer questions about their work, are great reasons to travel to the Provincetown Film Festival.
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