Review
The Museum of Fine Arts screens some ripples from the New Wave.
Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
Two very influential and brilliant Cuban musicians, Albita Rodríguez and Chucho Valdés, join together to make a fine album; Chilean guitarist/vocalist/composer Camila Meza serves up a potent mixture of jazz and lyrics concerned with social justice.
Fans who at least followed the band through its heyday in the late ’80s and early ’90s couldn’t have predicted the Mekons would wind it back in 2025 behind a new album just as galvanizing as their past catalog.
The Off Broadway revival demonstrates how 10 years of dedicated work can make a mediocre musical even worse.
At its best, Mark Twain emerges in this biography as much a live wire as ever: brash, outspoken, and overflowing with exasperating contradictions.
“Too Much”‘s swings from comedy to tragedy generate considerable whiplash.
No one argues about Israel or Hamas, or even mentions the words. All the same, caring this much about Palestinians’ lives is inherently political.
It is entertaining, but Lindsay Joelle’s script supplies only a tiny, sometimes contrived glimpse at a profession that deserves to be treated with more nuance and understanding.
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