Review
In his new album, Terry Kitchen moves effortlessly through lilting songs of happiness and sadness.
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The planned variety of sounds and rhythms is the adroit work of a composer dedicated to both freedom and his own version of continuity.
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Neeme Järvi, true to his usual form, favors brisk tempos, which tend to keep things from getting bogged down in Wilhelm Furtwängler’s bog of a Symphony No.2; Nicholas Collon leads a stupendous recording of Sibelius’s Symphony No. 5.
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In a film that maintains a deft, tightrope balance of tone, writer-director-star Eva Victor has delivered an acerbically funny depiction of how we learn to cope in a world where bad things can (and often do) happen.
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Jon Batiste’s performance resonated with what musician Zachary Richard calls the “holy trinity” of Louisiana music: Cajun, zydeco, and “old-fashioned” rock and roll.
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Violinist Lea Birringer does dazzlingly right by Sibelius and Szymanowski concertos and cellist Sheku Kanneh-Mason finds life and defiance in Shostakovich’s Cello Concerto No. 2.
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Rockport Chamber Music Festival is in the midst of a stellar season. Saturday evening, the brilliant pianist (and writer) Jonathan Biss gave a sensational recital of two late Schubert sonatas—a music lover’s dream.
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“When you collaborate with an audience and other artists, and you let hip hop flow and intertwine, anything goes.”
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Hearing the novel’s poignant voices, we can’t help but think that in many respects the plight of poor young men in the ’hood is everywhere alike.
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Film Retrospective: “Floating Clouds … The Cinema of Naruse Mikio” — Dedicated to Women’s Passions
Film scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
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