Review
What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
Couldn’t Wait to Tell You… is a well-paced, cohesive narrative, an exploration of the struggle for adulthood and independence. The title of Liv.e’s debut album is apt — it has exciting news to tell us.
Frayed is an Australian/British comedy, and its refreshing sense of gallows humor draws on the pessimism in both cultures.
The disc mixes classics and originals in a set of tunes perfect for late-night reveries or for anytime sojourns to a place of unhurried passion.
If a new generation of community news organizations is to grow and thrive, then we need a renewed sense of civic engagement. And in order to foster that civic engagement, we need journalism that doesn’t just report the news but also listens and collaborates.
New Fries’ latest effort never fails to stimulate: the band has crafted a record that challenges the idea of what a pop song is and can be — in two very different ways.
The Boy in the Field is the latest novel from Margot Livesey, a prolific writer with a keen eye for the interiority of her characters, a skill that enriches her novels with a rare intimacy and immediacy.
While there’s plenty of wistful romance and character-driven conflict to keep Summerland rolling along, the narrative isn’t exactly plausible.
Filmmaker Oliver Stone’s memoir is an exhilarating primer for anyone who wants to understand his reputation as a writer and director.
Jazz Album Review: What “Data Lords” Says About the Remarkable Career of Maria Schneider
“The sun and everything in this world is there waiting for us—patiently and loyally. To feel its power, we just need to make the choice to get up, go out, look up and connect to its magnificence.” That is really, truly, there in the music.
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