Review
Despite its inevitable darkness, It’s a Sin never loses sight of the joys of existence.
The book’s conceit is that D.A. Miller watches films he’s seen earlier in life with enhanced perception because of the possibilities offered him through the DVD lens.
This is a sophomore album that showcases an artist’s desire to grow beyond his initial success.
Billie is a stunning new documentary about Billie Holiday, one of the greatest jazz vocalists of the 20th century.
The show is made all the more powerful by the fact that we’ve now spent 12 months enduring Covid and four years of science denial and “alternative facts.”
With the “Fireside Sessions,” Tedeschi and Trucks have found the perfect online format for showcasing their attention to detail, nuance, and craft.
One disc pays expert homage to the late pianist Harold Mabern; pianist Yoko Miwa’s latest album supplies much appreciated exuberance.
The VPO’s performance doesn’t want for energy or purpose because of the lack of a crowd. Rather, there seems to be an internal imperative to the ensemble’s music-making that isn’t always apparent at these events.
Here’s yet one more fantastic thing about it no longer being 2020: it’s now the 50th anniversary of the excellent music that premiered in 1971.
It is vital to take into account the pivotal role that money, politics, and racism play in the availability and efficacy of mental health services.
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