Review
I want to gird you, readers, for the insanity and beauty of Annette
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CSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
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The sophomore season of the Apple TV + hit comedy is even more winning than its first.
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I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.
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BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
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Both Newport festivals rose to the challenge of restoring live music in a year that made it difficult and welcome.
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This wonderfully eclectic show is a post-pandemic invitation to forge new connections and open up fresh conversations.
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Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
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The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
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Film Feature: Best of American Film Noir, 1940-1959 — An International Poll
The results of a Facebook contest for the Best of American Film Noir, 1940-1959
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