Review
A haunting vision of lost souls who emerge from the Icelandic ice, naked, hungry and seeking communion with those they left behind.
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What’s on the screen rings true, but Fire Music falls short of being fair to history.
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Evangelion is my personal Rosetta Stone, allowing me to decipher everything from psychoanalytic theory and gender relations to my very own understanding of trauma and the world in which I inhabit.
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The Chair asserts that professors have lives outside the university and they are demanding and draining.
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There’s a pleasing variety in this collection, which serves up valuable music that might not have otherwise been heard.
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Theresa Rebeck’s foodie comedy Seared is more of an amiable appetizer than a substantial entree.
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Put bluntly, Mathematics for Human Flourishing is quite possibly the most profound meditation on mathematics I have read.
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In Maria Baranda’s poetry there is the constant oscillation between beauty and ugliness, elegance and terror, the empowering journey and the overwhelming nightmare.
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I don’t recall encountering a recent Baroque recording that is sung with such a fine balance of smoothness and character.
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Sir George Martin’s AIR Studios in Montserrat gave birth to some great ’80s music, then succumbed to the elements.
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