Review
The primary interest of Reframed isn’t film history; it is revisionist social statement, and a new twist on the celebrity documentary: star bio-cum-feminist essay.
As We See It is a humorous as well as heart-wrenching look at the realities of living with autism.
In Home Reading Service the literary and the illiterate rub shoulders, and we are given a vision of people tentatively emerging from behind walls.
Belle didn’t quite make my heart sing, but it’s a nice change of pace to see a film that treats the internet as a place that can bring people together, not merely a cut-throat Thunder Dome of clashing egos and verbal slap fights.
Berkeley’s Nelson reinforces my sense that many fine composers of the twentieth century have largely slid off the map because they did not cater to the obsession of many critics and academics with “the New at all cost.”
I found Through a Screen Darkly to be as enlightening as it is useful: we don’t just read about and invest our emotions in other lives; we learn what to do about our own.
Beyond its engaging plot and the tour de force performances by Olivia Colman and Jessie Buckley, The Lost Daughter is a gorgeous and sure-handed work of cinema.
A young ensemble, the USE is a technically accomplished one and, regardless of the interpretive strengths or weaknesses of each reading, the group’s sheer skill level is evenly impressive.
A surprisingly moving collection, all of it mightily played and sung by musicians who clearly intuit John Harbison’s musical language.
Flame in a Stable admits the reader into the committed life of a literate, far-reaching, colloquial, passionate, playful, and witty poetic voice,
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