Review
Dear reader, do enjoy a second season of Bridgerton’s ornate balls, lush landscapes, and 19th century flirting.
Rather than the usual story of assimilation, John Domini gives us a deftly written narrative of return, self-discovery, disillusionment, personal metamorphosis, and ultimately, rejection.
Marvelously accomplished albums from American mezzo-soprano Joyce DiDonato and Canadian soprano Barbara Hannigan.
Playing on their strengths and working within the limitations of each medium, both The Dropout and Bad Blood pull us into the very American story of Theranos’ and Holmes’ rise and fall.
Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
Human Resources isn’t for everyone. It’s even weirder than Big Mouth (which is saying something), though this spinoff series still packs, at times, the same heartfelt punch.
Sitting through Deep Water is like being trapped at an endless, sodden string of dinner parties that don’t go very well.
Even as an entry in such an idiosyncratic (and appealing) series, this case is one of the most personal our protagonist – a thoughtful, compassionate man – has faced.
In Good Harbor, poet Max Heinegg draws on his gift for lyricism as he considers his family, love, school, and the places he has been.
Two first-rate albums: pianist Lara Downes successfully reconsiders Scott Joplin and the New York Youth Symphony plays Florence Price and others with panache.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic