Review
This novel of ideas reads like an essay narrated in the first-person by a self-absorbed automaton.
What might be the most impressive feature of this disc: everything on it was written for The Claremont Trio since 2008. The album stands as a shining testament to their adeptness as an ensemble as well as their curiosity as musicians.
I wish I could state unequivocally that this is a film perfect for this moment in time, and perhaps it is. But not in a good way.
Graphic novels are wonderfully suited to chronicle the lives and times of artists, designers, architects, and even creative institutions.
Cave In’s new album is more than a return to form — it is a surging breakthrough.
This beautifully crafted film relates how the past, particularly one crisis in this family’s past, has colored the siblings’ lives and affected their choices.
Muse upends convention by examining twenty-nine real life situations that offer a broader, and more generous, view of what a muse can be.
Love on the Spectrum U.S. generates the same joy as its Aussie version: all of the singletons are enormously likable.
With gentle humor and insight, Lea Ypi draws rich portraits of the three caring adults she grew up with in the authoritarian world of her childhood in Albania.
Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that this is no longer news.
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