Review
Charli packages existential angst and heartache in sly, self aware pop performances that manage to deftly fuse self-conscious artificiality with earnest passion.
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Donbass is a powerfully gritty portrayal of thuggish aggression by people who felt empowered, with Russian support, to steal from, torment, and kill their neighbors.
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Recently, some artists have come out of the closet and put their prog hearts on their sleeves with new recordings that celebrate the heyday of progressive rock.
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White Hot is a compelling watch, and not only for those who shopped at Abercrombie & Fitch.
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Eric Neudel and Alison Gilkey found a tremendous subject for a documentary, and have told his tale with urgency and compassion.
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These two superb new releases were both recorded at a former fire station in Connecticut.
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A thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
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The album features seven tracks played by five different groups fronted or co-led by guitarist John McLaughlin.
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Three singular voices – Ken Russell, Bob Rafelson, and Brian De Palma – all of whom had their careers in gear before the end of the previous decade, each of whom took interesting turns with the films they released in 1972.
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Theater Commentary: A Wacky Vision of Violence — “Gary: A Sequel to Titus Andronicus”
Finally, a sign that American theater might be facing the world of violence outside of its usual provincial purview.
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