Review
M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.
Ted Olson continues bringing important location recordings of early American music back to light.
Many of the entries in Symbionts do not question scientific worldviews as much as attempt to validate art in a world ruled unquestionably by science.
Justin Dello Joio’s Concerto for Piano and Orchestra, written especially for pianist Garrick Ohlsson, creates an emotionally satisfying canvas out of thorny harmonies and astringent lyricism.
MJQ pianist John Lewis would have loved to have had an orchestra this well rehearsed and recorded so beautifully.
The animation itself is akin to what you will see in familiar domestic cartoons, such as The Simpsons, Family Guy, and Bob’s Burgers. So it’s the quirky humor that makes Koala Man uniquely Australian.
Director Alice Diop wisely avoids offering a neat solution to Saint Omer‘s exploration of a mother who murders her child.
Dave Malloy’s musical takes us through the personal creative hell of Russian composer Sergei Rachmaninoff.
This staunchly eclectic collection is also fiercely focused, unified by the fact that regardless of the subject, the poet never blinks, never looks away, never hesitates to name the pain.
For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
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