Review
Jennifer Ann Redmond’s sympathetic approach to Diana Barrymore’s disastrous life is valuable because it rejects the poor-little-rich-girl tropes. She was more than a debauched debutante or fallen starlet.
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All in all, this is a crisp, entertaining, and, so far as I can see, an accurate account of the last acts in Henri Matisse’s career.
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For the artist Andrae Green, where land and sea meet is not a line, but an immersion.
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Arvo Pärt’s ubiquity in concert halls and on disc for much of the last fifty years suggests that he’s got plenty to say to our cultural and historic moment.
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The play eventually packs a wallop, but it drags its feet at the start.
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The cross generational Do the Reggae Tour suggested that reggae’s creative trek was far from over.
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A trio of political films at TIFF — ranging from tragedy to farce.
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Across his career, British conductor Martyn Brabbins has used his bully pulpit to bring to light all sorts of deserving, unfamiliar repertoire, including the music of compatriot Havergal Brian.
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It’s hard to imagine that Hollywood suits would get behind a movie focused on a corrupt political regime, even one that’s now history.
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Director P.T. Anderson’s latest puts up a fight, but it is for a lost cause.
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