Review
Anthony Burgess considered Ford Madox Ford to be the greatest of 20th century English novelists.
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Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
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The company is notable for its precision, charisma, and the calculated chaos created by sui generis Israeli choreographer Ohad Naharin.
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Lost amid a flood of new music in the early ’70s, the three lps under review here never received their due.
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Eventually, former Oasis leader Noel Gallagher gave everyone (including the diehards) what they really came to hear: Oasis banger after Oasis banger. B-sides, album tracks, and stripped down versions of the classics.
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It’s easy to mythologize “The Days of Wine and Roses” because this album documents a band whose lineup splintered almost immediately.
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First presented in 1813, “Les Abencérages” displays the mastery and inventiveness of the renowned composer of the opera “Medea.”
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Stephanie Bishop does a great job withholding information and she is also good at tying together the narrative’s many loose ends.
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Singing the body electric in “De Humani Corporis Fabrica.”
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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