Review
Director Raoul Peck, like his subject George Orwell, encourages critical thinking and urges us to consider how best to resist the strengthening forces of tyranny.
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“Nuns vs. The Vatican” prepares its audience for an ongoing story that is expanding each time one more victim agrees to talk publicly. Do not doubt that there will be a sequel.
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If only every billionaire could be forced to work as a food delivery driver and learn the true meaning of Christmas.
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The Berkshire Theatre Group production of “Metamorphoses” is consistently engaging and, at times, deeply powerful.
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Tron: Ares hurries from one spectacular concept and one spectacular set piece to another. But it doesn’t take the time to let any of those remarkable things sink in.
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“Father Mother Sister Brother” invites you into a space of present-ness where you need to slow down and re-set your metabolism. It invites you to tune out all the noise and sit with the silences between people. A daring ask in a digital world where everyone’s glued to their screens the better to pick up the noise.
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We owe Shangyang Fang a debt for bringing the delicacy, obliqueness, and sheer tremulous beauty of these Chinese poems to English-speaking readers.
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This lively foray into popular history, and others, exemplifies the move to attract younger audiences with open and freewheeling interests in gender and sexual nonconformity.
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The Latvian conductor can sometimes overindulge in pieces that demand shifts in emotional direction on a dime, so the frenzied eclecticism of Mahler’s Fourth feels tailor-made for him.
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If, as a commemorative volume, “Fifty Poems” introduces readers to sample the German poet more extensively, either in the original or in the range of translations currently available, it will have accomplished a valuable task.
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