Review
It’s as if the curators of this BPL exhibit are warning us that the future of our democracy depends on our paying attention.
This past weekend, Goose wished fans a festive holiday season with a Victorian-inspired carnival extravaganza.
Why was the original production of Merrily We Roll Along such an abysmal failure and how did it turn into a hit? Does the new film succeed in capturing the magic of the hit Broadway revival (and is that even possible)?
The 2025 version of the Revels once again fills historic Sanders Theatre with comedy and music, while at the same time encouraging us to reflect on the things that are important in life — family, love, and the peaceful solitude of a cold winter’s night.
Lettuce is pushing funk forward, drawing on what has come before (Tower Of Power) and making some distinctive changes.
Boston Baroque served up a lithe and vital performance of the Messiah that felt rich, personal, and gloriously lived in.
Virginia Giuffre’s memoir is a grim indictment of Jeffrey Epstein and the cruel and powerful men (most of them still unnamed in public) who were his clients.
Two versions of “Hedda Gabler” — one gratifying, the other gauche.
Wednesday’s show proved that The Dream Syndicate more than honors both its past and present with passion and precision.
One of today’s most distinctive intellects wrestles with the internet and all its messy consequences.
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