Review
The biographer puts far too much emphasis on Sam Shepard’s louche life, neglecting to provide much analysis about the value of his stage work, particularly on whether it will endure.
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A preview of a few of the obscure gems and curios in this huzzah to Columbia Pictures.
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While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
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The Boston Jewish Film Festival supplies some glimmers of optimism.
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The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
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If any out-there band deserves the opportunity to be in-here, Club d’Elf is it.
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Shakespeare’s “Macbeth” serves as a springboard for a memorable new vision by these inventive, multimedia theater artists.
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A new recording of Carl Nielsen’s Symphony No. 5 from the Bergen Philharmonic Orchestra and Edward Gardner captures much of what makes the composer’s writing in it sound so fresh.
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At 85, Herbie Hancock can still funk it up.
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Some critics will consider the work in this show extreme, but one of the many strengths of American Artist lies in the fact that they draw on Butler’s prescient dystopian vision, elements of which are becoming a reality.
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