Review
Russian satirist Vladimir Sorokin’s excremental vision triumphs in two new translations.
As in her previous thrillers, Donna Raybourn’s dry wit serves double duty: defining our erudite heroine and presenting her view of a world that does not know what to make of her.
Sofia Vergara’s performance as drug queenpin Griselda Blanco, in the limited series “Griselda,” is no less than career-defining and unforgettable.
The album’s layers of thick and swampy sound make Kim Gordon’s anxious point.
With Egyptian-born Amina Edris in the title role, Massenet’s opera engages the musical and theatrical imagination with its rich characterizations of Greek mythic adventures.
Conductor Benjamin Zander put the Boston Philharmonic Youth Orchestra to challenging work at Symphony Hall, while, on record, Isabelle Faust delivers a vital, urgent, and engrossing traversal of the Britten Violin Concerto.
The Finnish conductor’s welcome return to the Boston Symphony Orchestra heralds the kick-off of a two-week festival of Nordic music.
The energizing force of this production comes from the students and, more specifically, the cohort of young women in the cast, each of whom is excellent.
Throughout this superb live album, percussionist Gustavo Cortiñas allows his fellow band members an enormous amount of space, and that is welcome because of their high level of musicianship.
This encouraging book highlights the preponderance of positive developments regarding the efforts, worldwide, to deal with climate change.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games