Review
“Love Lies Bleeding” is a glorious work of sweaty, dusty, pulp filmmaking.
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At a time when it seems as if the world is spinning out of control, steeped in anonymous violence, a Jack Taylor novel provides a front and center opportunity to contemplate doing something about the issues in our own backyard.
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Here’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.
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Noora Niasari’s personal involvement elevates “Shayda” above melodramatic Lifetime fare: this is a compellingly warm tribute to the Iranian director’s mother.
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Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.
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This exhibit at the Brickbottom Gallery does a good job of capturing the unexpected moments and surprises that we experience in a city.
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Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
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On the occasion of the 160th anniversary of the Emancipation Proclamation, seven Black artists were asked to respond to the theme of emancipation.
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Walking a fine line between fiction and documentary, director Sacha Polak has fashioned a film that is achingly real because it evokes life’s unpredictability.
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“Spirit of the Century” is a riveting celebration of the Blind Boys of Alabama’s glorious and often unpredictable musical journey.
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