Review
As usual, Annie Baker is more interested in how viewers gather information, gleaned from bits of dialogue, than in wrapping up a neat plot or delivering a message.
What Lana Del Rey lost in time at Fenway she tried to make up for with the slew of guests she brought on stage.
Arlekin Players Theatre’s “The Dybbuk” may not convince you of the supernatural, but director Igor Golyak is a magician.
A movie about an amateur theater company’s production of a classic play taps into the universal truth of irremediable and ineluctable loss. And there isn’t a dry eye in the house.
This musical succeeds, at least in part, because it dares to shine a light on parts of our lives that we don’t like to talk about.
In truth, recordings don’t capture the Naughtons’ symbiotic flair — the performance at Rockport revealed them not only to be a superb piano duo, but a significant cut above.
Four films at this year’s Provincetown International Film Festival shared the theme of face-to-face communication, exploring the pleasures and pitfalls of encounters unmediated by screens and phones.
This world-premiere recording lets us hear one of the most effective recent operas, based on the famous book by Dr. Oliver Sacks.
Two standouts at this year’s Tribeca Film Festival: “Bikechess” and “Made in England: The Films of Michael Powell and Emeric Pressburger”.
Here are films I’ve most loved watching the late Donald Sutherland in over the years.
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