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Rock Preview: A Salute to the New Wave That Followed on the Heels of the First Wave

March 26, 2019
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Dino Cattaneo saw an opportunity to mark another ruby anniversary with the help of “killer” – his word of choice – local artists.

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Coming Attractions: March 24 through April 9 — What Will Light Your Fire

March 24, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Theater Preview: Voices of Women Veterans on Northern Stage

March 21, 2019
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The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.

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Dance Feature: Boston Dance Alliance Celebrates Tony Williams and Duggan Hill

March 19, 2019
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Although hailing from different backgrounds, Tony Williams and Duggan Hill share important commonalities, most notably their engagement with urban youth.

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Jazz Appreciation and Preview: James Carter — Life Begins at Fifty

March 13, 2019
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?

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Rock Interview: The Flesh Eaters Redux

March 11, 2019
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The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.

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Coming Attractions: March 10 through 26 — What Will Light Your Fire

March 10, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Classical Music Preview: “Help the Children” Concert — An Eclectic Vocal Program

March 7, 2019
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“It’s not a concert about despair,” observes Joel Cohen, “there’s a lot of festive music in it.”

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Coming Attractions: February 24 through March 12 — What Will Light Your Fire

February 24, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Music Preview: Projections — Alan Parsons To Perform His Sonic Masterpieces

February 19, 2019
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Asked what the experience was like to go back and revisit his earlier recordings, Alan Parsons explained, “It’s actually very pleasurable, like stepping back in a time machine.”

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