Music
Tornadoes in the Connecticut River Valley haven’t stopped this summer’s festivals in Springfield, Hartford and Greenfield. Plus, Boston celebrates Latino and African culture.
Sitting down this evening to review “Bon Iver,” something happened. My strongly negative initial impressions of the album changed into an appreciation of the mystical spirit of the music, its harmonious chords and their reflection of the harmony of nature.
“The Day Is Coming” continues the album’s momentum. Similar to “Victory Dance,” the song starts with a chorus of odd vocals. However, these are catchier, and are soon followed by the arrival of spastic guitar, pounding drums, and chord-tastic pianos.
Enthusiasm simply wasn’t enough to salvage the production — the musical comedy 2010 contains too many pitfalls to overcome.
This was ensemble playing by two people who knew not only the music, but each other completely. There are some things you can’t fake, and one is ensemble playing with a person — or people — you love. (I speak from experience here). Everything was perfect.
July is a month when most of the great classical music is happening in pastoral settings and festivals around New England and far from Boston.
BEMF is, quite simply, paradise for those who love early music, and they seem to be a different audience than those who show up for, say, the Boston Symphony or any of the excellent chamber music groups around town.
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