Music
BSO’s conductor emeritus Bernard Haitink may be best known for his interpretations of Austro-German repertoire, but, on Saturday night, he channeled his inner Francophile.
I cannot express my love for “Angel Guts : Red Classroom” strongly enough. At the very least, it’s necessary listening for anyone with an interest in “no wave” and avant-garde music.
The Matt Wilson Quartet prides itself on variety: the band can play ersatz Indian music, free jazz, and funky rhythm and blues, as well as an occasional touching ballad.
Music Interview: Mavis’ Man — Guitarist Rick Holmstrom on Backing Mavis Staples With Taste and Space
“Yeah, Mavis Staples is everything you see onstage and more. She gives and gives and gives.”
Saturday’s reading of Lutoslawski’s Piano Concerto greatly benefited from pianist Garrick Ohlsson’s steely yet sensitive account of the solo part.
With a Stephen Sondheim show, it’s all in the casting, and Emmanuel Music’s casting was a mixed bag.
The past weekend’s Orpheum show — sold out for weeks beforehand, and drawing an impressive range of multi-generational hipsters — wasn’t the same old thing for The Pixies.
In nearly 78 minutes of intensely concentrated playing, Jane Ira Bloom’s album offers some of the greatest ballad performances I have ever heard.
Bruce Springsteen’s “High Hopes” is a collection of covers, reinventions, and new recordings of odds and ends that have been kicking around for the past decade-plus.
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