Music
Heard live, pianist Evgeny Kissin offers the kind of rare, heart-altering listening experiences that give one hope for our woefully fractured world.
After more than a quarter century, with an impressive new venue serving as a platform, Radius Ensemble continues to expand its musical reach.
Little Feat is on the cusp of a rebirth – again.
Perhaps “Izipho Zam (My Gifts)” might have become as well known as Pharoah Sanders’s “Karma” — if Impulse! rather than the tiny cooperative label Strata-East had recorded it.
These Stata-East recordings are the result of a special moment in the history of jazz, when some musicians brilliantly took charge of their own careers. Luckily for us, the music is still strikingly fresh and contemporary.
The not-to-be missed “Symphonic Chronicles IV” is a very welcome alternative to much of the atonal, modern classical music currently flooding the market.
Sunday’s 100-minute show at Crystal Ballroom offered a celebration of what Gang of Four means for its surviving original members and followers alike, including newer generations represented onstage as well as in the packed hall.
This was a “Resurrection” Symphony for today: urgent and unsettled, yes, but also searching, persevering, and, ultimately, triumphant. If the weekend turns out to have marked conductor Benjamin Zander’s last go-around with this masterpiece, what a way to finish.
Exposure is a septet assembled to perform Robert Fripp’s quirkily diverse, overlooked 1979 solo album “Exposure” for the first time ever, in sequence.
Arts Commentary: When It Comes to Concerts, Go Small
An invaluable way to see live music: one that provides funds to artists who really need it and to the smaller venues that not only deserve support but that also drive business in the local community.
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