Music
Wes Montgomery and Joe Pass are master jazz guitarists who sound nothing alike.
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Anybody at Tuesday’s show who thought the members of Kraftwerk were just punching buttons at their static posts while audiovisuals surged automatically would be mistaken.
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Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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The sheepishly affable Trey Anastasio wisely focused on music, allowing him to play a broader representation of his repertoire across two hours and 25 minutes.
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Timelines bounce a bit through the loosely organized, vignette-rooted book, where the back half casually weaves through a checklist of characters and tales not to be missed.
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A unique, memorable summit of three intellectually minded luminaries who bridged jazz, classical, Latin and South Asian influences.
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“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
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Conductor Jane Glover, marvelous soloists — including superstar countertenor Aryeh Nussbaum Cohen — and a superb chorus and orchestra invigorate one of Handel’s last and greatest works.
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A review of two fine backstage (or offstage) comedies at the Berlinale — “Blue Moon” and “Koln 75”.
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Playing side-by-side on two different pianos facing in opposite directions on the Symphony Hall stage, Vikingur Ólafsson and Yuja Wang were as complementary, in a flavorsome way, as lemon and chocolate.
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