Jazz
Updated Aug. 9 at 3 p.m. In the second week of August, the power of percussion is much in evidence, with Mikael Ringquist and Marcus Santos, Manolo Mairena, Gary Fieldman, and Vicente Lebron. New Orleans adds some flavor with Christian Scott and Galactic, and Berklee Summer in the City just keeps rolling along.
Wadada Leo Smith’s album contains avant-garde music with a human face, intimate and appealing and beautifully played by a band of virtuosos.
Updated: Brazilian jazz vocalist Leny Andrade performs at the Deer Isle Jazz Festival on Saturday, July 28.The first half of July, dominated by Independence Day festivities, is–fireworks aside–pretty quiet in New England. But then the festival season really kicks into gear.
According to former WGBH Jazz DJ Steve Schwartz, “In retrospect, the writing was on the wall. About a year and a half ago, our shows were cut by an hour; before that, we were told we could no longer use the names of our shows or our theme songs.”
There’s no such thing as a free lunch, but in Boston this summer (and throughout the year) free concerts are as easy to find as upset fans at Fenway Park.
July 11 update.The New Orleans-style funeral for jazz on WGBH radio was an amazing coming-together of musicians from across the spectrum of styles. It was an occasion for mourning the loss of Steve Schwartz and the diminution of Eric Jackson, to be sure, but it was also an occasion for celebrating with more than a little wonderment the recognition that we all are, indeed, a community.
Updated. In or out of doors, from Inman Square to the coast of Maine, it’s a hot July in New England. Sounds of the season–or of any season–abound, including a 25th anniversary celebration for Natraj.
Updated. Reeling from the impending cutbacks to WGBH’s programming, the Boston jazz community is beginning to find its footing in organizing a response. First up, a jazz funeral on the 5th of July.
A critically acclaimed player in the New York avant-garde scene, Theo Bleckmann is clearly a Kate Bush connoisseur, and his commentary on her work was as compelling as the performances
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