Jazz
“Popular music in America is already so formulated and dumbed-down that the fear of AI making it more trivial is probably beside the point.”
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A belated appreciation of one of 2023’s most interesting releases – this Grammy-winning “compendium” may not be a strongly unified work, but its individual parts are eloquent residents of the Place Between classical and jazz.
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Any survey of new jazz will show the broad range of creation being produced by an extraordinary diversity of musicians. That’s because jazz has spread all around the world, bringing us together in peace (and sometimes even harmony).
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Here is music of depth, music to hear and to think about in a Time of Troubles. But who will play it again? Who will listen? And who will buy?
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It’s always fun to hear this mischievous instrumentalist in action.
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This new album from Norma Winstone and Kit Downes is a marvel.
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The music on David Murray’s” “Francesca” is both antic and intense; it’s played by a responsive and inventive quartet who sound like they are having considerable fun entertaining themselves.
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What seems remarkable here is the way that trumpeter Tomasz Stanko enters into unplanned conversational interchanges, including flickers of wit, with the other members of the quartet.
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A trio of Latin-themed jazz albums that range from the best of the year to an uneven debut effort.
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Jazz Commentary: Celebrating Bassist William Parker’s Lifetime of Achievement
It was not just networking that propelled William Parker into the front rank of bassists. He could generate such a huge and complex cascade of sound that he energized leaders from Cecil Taylor and Ivo Perelman to Zoh Amba.
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