Jazz
This album does an excellent job of recapturing some of the glory of the original Miles Davis recordings.
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Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.
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When it comes to jazz, you can be pretty confident that when you put excellent players together — whether they know each other or not — something very good will happen. And it did.
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
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Trumpeter Jason Palmer’s mastery is of the unimposing kind, which this piano-less quartet seamlessly reflects.
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Smartly, Vanessa Ruben has gathered a strong group of collaborators, a number of whom knew Tadd Dameron personally and all of whom knew his music well.
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Rosa Parks: Pure Love is a serious, substantial, and long work, alternately harsh and calming, one that I am sure should be seen as well as heard.
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The seven-man musical wrecking squad from Austria called Mnozil Brass has created a combination circus band, village band, marching band, and vaudeville orchestra.
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Jazz Commentary: Jazz and the Single Trumpet Player
Far more people would recognize Chet Baker’s name than Jack Sheldon’s — and that is unfortunate.
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