Jazz

Jazz Concert Review: Jason Moran and the Big Bandwagon Pay Splendid Homage to “One of the Original Big Bangs in Black Music”

February 21, 2023
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Jason Moran, as virtuoso pianist and bandleader, enacted all of jazz history at the keyboard, from ragtime to no time, as the saying goes.

Music Interview: YouTube Algorithm Causes Major Disruption to Jazz Video Guy, Bret Primack

February 18, 2023
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Bret Primack explains how YouTube has basically nuked the Jazz Video Guy channel. And the same thing is happening to other content creators.

Jazz Album Review: “The Birth of Bop” — Chronicling the Transition from Swing to Bop

February 13, 2023
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The Birth of Bop contains performances from some important participants in the bop revolution — Dexter Gordon, Stan Getz, Milt Jackson, Allen Eager, Fats Navarro, Max Roach, J.J. Johnson, and others.

Music Concert Preview: Where to Hear “The Place Between” — In the Months Ahead

February 7, 2023
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Here are some recommendations of concerts with hybrid works coming to the Boston area in the months ahead.

Jazz Album Review: Singer Jo Lawry’s “Acrobats” — Pulling Off the Hardest Thing

February 7, 2023
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Left to her own devices for a change to pick the material, the format, and the musicians, singer Jo Lawry has chosen with grace and guts.

Music Commentary: The Place Between “Classical” and “Jazz” Becomes a Destination

February 6, 2023
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2022 was a year in which hybrid musical forms reached more Boston audiences than ever before. 2023 promises to open even more doors. The Place Between is no longer dangerous territory, a detour, or a side road. It has become a destination in itself.

Jazz Album Review: Pianist Kenny Barron — Cherish “The Source”

January 30, 2023
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The last time Kenny Barron recorded solo was in 1981. That, besides the quality of the music, is a reason to treasure this album.

Jazz Concert Review: The Laszlo Gardony Trio at Berklee College of Music

January 28, 2023
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The smallish Friend Recital Hall was an ideal setting for pianist Laszlo Gardony to impose his engaging personality, as well as his musical versatility and power.

Classical Album Review: Wadada Leo Smith: String Quartets Nos. 1 – 12, played by the RedKoral Quartet and Guests

January 26, 2023
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Over the past year, I’ve delved into the most significant body of work for string quartet ever written by a composer whose primary identity with the public is as a jazz musician. Here’s how to begin your own encounter with important facets of the work of an artist whose name you ought to know.

Jazz Album Review: “Blues & Bach: The Music of John Lewis” — A Remarkable Accomplishment

January 12, 2023
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MJQ pianist John Lewis would have loved to have had an orchestra this well rehearsed and recorded so beautifully.

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