Classical Music

Classical Concert Review: St. Lawrence String Quartet plays Beethoven, Adams, and Sibelius

March 21, 2018
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It is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.

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Concert Review: Cantata Singers Perform “Missa solemnis”

March 20, 2018
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This performance was far more than special and crazily beautiful — it was extraordinary.

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Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1

March 17, 2018
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Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.

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Concert Review: Bernstein’s Kaddish Symphony returns to Symphony Hall

March 16, 2018
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.

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Rethinking the Repertoire #19 — Charles Ives’ Orchestral Set no. 2

March 16, 2018
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Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.

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CD Reviews: Smetana String Quartets, 2018 New Year’s Concert, Haydn: An Imaginary Orchestral Journey, and Lindberg conducts Bernstein

March 15, 2018
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Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.

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Classical CD Reviews: Barenboim plays Sciarrino, Berio, Tartini, and Paganini and Alsop’s Complete Bernstein

March 14, 2018
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Violinist Michael Barenboim is an exceptional young musician with a famous name who stands on his own two feet.

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Concert Review: Boston Musica Viva’s Annual Family Concert

March 12, 2018
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Musically, everything clicked in Boston Musica Viva’s annual Family Concert.

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Opera Preview: Boston Lyric Opera’s “Threepenny Opera” — A Reflection of Brutal Times

March 12, 2018
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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”

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Concert Review: Chorus pro Musica’s “Together”

March 12, 2018
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Throughout the night, CpM music director Jamie Kirsch kept tempos lively and never lost sight of the overarching shape of each of the evening’s big pieces.

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