Classical Music
“American Excursions” manages — and in a brisk fifty-nine minutes — to provide an impressive degree of racial, gender, and stylistic diversity.
Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
The story of this album is that violinist María Dueñas enters as a star but emerges as a brilliant and preternaturally thoughtful artist.
There’s much to recommend in Behzod Abduraimov’s rendition of Prokofiev’s Piano Concerto No. 2, which is both highly characterful and a lot of fun to listen to.
A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
Some unfortunate misfires in a collection that, otherwise, has a lot going for it.
NDR Radiophilharmonie and Stanislav Kochanovsky may generate new fans for Tchaikovsky’s four orchestral suites; if you only want to dip your toes in Thomas Adès’ extraordinary music, his own take makes for a worthy introduction.
Getting to know the Composer Chair of the Boston Symphony Orchestra, the first composer of color to have a comprehensive long-term relationship with the BSO.
Happily, the composers on this compelling BMOP program were not cowed by tradition.
Pietro Auletta’s “L’Orazio” (1737), with substitute arias by other composers, gets a first-rate performance from the renowned Valle d’Itria Festival.
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