Classical Music
The not-to-be missed “Symphonic Chronicles IV” is a very welcome alternative to much of the atonal, modern classical music currently flooding the market.
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This was a “Resurrection” Symphony for today: urgent and unsettled, yes, but also searching, persevering, and, ultimately, triumphant. If the weekend turns out to have marked conductor Benjamin Zander’s last go-around with this masterpiece, what a way to finish.
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It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
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A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
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A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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The Sphinx Virtuosi is terrific: the group’s unified tone and articulations, impeccable responsiveness and technique, and command of stylistic nuance are all of the first rank.
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With so many cooks, flaws were inevitable. But the effort was noble, and hearing Terence Blanchard’s beautiful trumpet sound in Symphony Hall was a transcendent experience.
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A pair of pleasant traversals of the French master’s complete piano music, or thereabout, from the still-relative-newcomer Seong-Jin Cho and the established Jean-Efflam Bavouzet.
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Violinist James Ehnes and the BBC Philharmonic supply some truly great performances; violinist Benjamin Schmid revels in composer Friedrich Gulda’s freewheeling sense of play.
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Arts Remembrance: In Memoriam — Tom Stoppard