Classical Music
The new “Portrait” package contains five hours of music by Bizet that is mostly unknown to music lovers and music lovers. Plus one of his best operas, a one-act written just before “Carmen”: 1872’s “Djamileh,” which is set in a harem.
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Neeme Järvi, true to his usual form, favors brisk tempos, which tend to keep things from getting bogged down in Wilhelm Furtwängler’s bog of a Symphony No.2; Nicholas Collon leads a stupendous recording of Sibelius’s Symphony No. 5.
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Violinist Lea Birringer does dazzlingly right by Sibelius and Szymanowski concertos and cellist Sheku Kanneh-Mason finds life and defiance in Shostakovich’s Cello Concerto No. 2.
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Rockport Chamber Music Festival is in the midst of a stellar season. Saturday evening, the brilliant pianist (and writer) Jonathan Biss gave a sensational recital of two late Schubert sonatas—a music lover’s dream.
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Played and sung with verve in its New England premiere, “Frederick Douglass” stands as the most significant revival BMOP has undertaken in recent years.
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Pianist Bertrand Chamayou demonstrates just how mercurial and influential Ravel could be; composer-pianist Stephen Hough’s Piano Concerto casts a Ravel-like spell.
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Pianist Stewart Goodyear livens up a tried-and-true program with works new and unfamiliar; the husband-and-wife team of Lukas Geniušas and Anna Geniushene survey piano music written on these shores, starting in 1932.
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The skillful Mark Elder leads a fine cast, including the superb Peruvian tenor Iván Ayón-Rivas.
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Pianist Yeol Eum Son is more than up to the demands of J.S. Bach and Maurice Ravel; violinist Bomsori brings exquisite balances and shimmering sonority to Bruch and Korngold.
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Through story, song, missives, and popular gibes at authority, the Boston Camerata program looked at kings remembered for their great deeds and those commemorated for their bumbling idiocy.
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