Classical Music
I had always thought of January as a musically quiet month, but looking over the concerts I wanted to see, I realized how it is at least as great a month for concertgoing as any other in Boston. I am betting each of the concerts I listed here will be superb. By Susan Miron. January…
Read MoreThere is no shortage in this town of chamber music groups trying to carve out a charismatic niche of their own. This seems to have come naturally to this high energy, highly likable ensemble. By Susan Miron. Seventeen strings strong, A Far Cry is that rare kind of musical group that appears to do everything…
Read MoreThis concert was the idea of local flutist Julie Scolnik, who is herself a breast-cancer survivor. (It should be noted that this affliction strikes men as well as women.) She was able to get no less a conductor than Sir Simon Rattle, who along with his 77 orchestral players contributed their services without fee. By…
Read MorePianist Haochen Zhang’s Boston appearance proved that his Cliburn win was no accident. He may be only 20, but his playing was nearly flawless all evening, and his interpretations were those of a fully mature artist. By Caldwell Titcomb. Last year’s Van Cliburn International Piano Competition turned out to be a most remarkable event. The…
Read MoreBEMF’s Paul O’Dette and Stephen Stubbs have, once again, produced a work of impeccable and imaginative scholarship for a production that’s not only historically informed, but musically, dramatically, and visually entertaining. Dido and Aeneas by Henry Purcell and Nahum Tate. Presented by the Boston Early Music Festival. At New England Conservatory’s Jordan Hall, Boston, MA,…
Read MoreDecember classical music offerings range from a recital by 20-year-old Haochen Zhang, who won last year’s Van Cliburn International Piano Competition, to The MIT Chamber Music Society presentation of a free, two-piano concert, and the Boston Modern Orchestra Project taking on, without charge, an evening of music by three women composers. By Caldwell Titcomb. December…
Read MoreThe Parker Quartet’s appearance here in Jordan Hall on November 22 was marked by one surprising feature: there was not a single music stand to be seen on the stage. It turned out that the four musicians played the entire concert from memory. By Caldwell Titcomb Haydn is widely called the Father of the Symphony,…
Read MorePianist Garrick Ohlsson is helped by having unusually wide stretches in both hands. And like Chopin’s own playing, he never resorted to harshness or banging even in climactic passages. By Caldwell Titcomb Of all the musical events scheduled for this season I was most eagerly looking forward to the November 14 Symphony Hall recital by…
Read MoreComposer John Adams (b. 1947) was represented by two impressive works: “Chamber Symphony” (1992), and “Son of Chamber Symphony” (2007). For some reason the latter opened the concert and the former closed it, but no matter. By Caldwell Titcomb The Boston Modern Orchestra Project (BMOP) kicked off its season with a Jordan Hall program on…
Read MoreUltimately, Basil Twist’s Petrushka is a meditation on the tension between the animate and inanimate, a story that lets a puppet explain what it’s like to be a puppet, a fable that argues that to be alive is to recognize causality and suffering—and that the ability to suffer is paradoxically a precious gift. Basil Twist’s…
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Arts Commentary: Rich in Creativity — But Nothing Else