Classical Music
Fans of classical piano should find this collection of performances by something of an institution around Boston a rare delight.
Despite the high level of the players, there are things a professional quartet brings to a performance or recording—uniformity of sound and style—that cannot be matched by a group cobbled together and given limited rehearsal time.
It’s rather melancholy to think that this incarnation of the TMCO will never perform again as an ensemble. Such is the nature, though, of Tanglewood and many summer music festivals.
When the performance ended and I sat there, silent, reveling with the rest of the audience in the goose bumps that inevitably occur after such an experience, I knew, in my bones, that no movie, however good, could be as good as this.
Here is Tanglewood live and uncensored, as it were, with music often thrillingly brought to life by some of the hallowed legends of the BSO’s storied past: Koussevitzky, Monteux, Munch, Leinsdorf, Ozawa, Bernstein, Previn -— the list goes on and on.
For anyone interested in classical music, “Motherless Child” is a novel to be savored. And there is no doubt that Zeitlin has gotten those details right. She is the widow of the great violinist and teacher, Zvi Zeitlin, who died this past May at 90.
Under the baton of its Artistic Director, Susan Davenny Wyner, Boston Midsummer Opera has become an annual highlight of Boston’s classical music line-up during the summer.
Tired of glitz and looking for a transformative musical experience? You can do no better than to hear this relatively unheralded musician play some of the most sublime music ever written.
There’s no such thing as a free lunch, but in Boston this summer (and throughout the year) free concerts are as easy to find as upset fans at Fenway Park.
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