Classical Music
Conductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Praise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
The Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.
Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.
The Emmanuel Music concert was a seriously Big Event, as most Russell Sherman performances are, with many outstanding pianists there to hear it.
For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.
Heralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.
The five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.
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