Classical Music
This recording is the first of a partial Shostakovich cycle Andris Nelsons and the BSO are embarking upon.
The great mistake we make as listeners or viewers is passivity. Music deserves and needs our active involvement.
Gunther Schuller dove into jazz with passionate hunger, in the process dispelling cultural, class, and racial prejudices.
Powder Her Face proved the perfect capstone to Odyssey Opera’s month-long survey of British (mostly comic) opera: biting, darkly humorous, provocative, and relevant.
Marc-André Hamelin, one of the world’s elite pianists, held the packed Shalin Liu Performance Center enthralled.
After experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
The Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
Sunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?
The BSO’s Americana concert could only provide four beautiful snapshots of a very complicated landscape.
Read More about Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?