Classical Music
Hardly any of the under-60s generation can tell you who Serge Koussevitzky was or what his legacy consists of.
Elgar’s brilliant scoring in his Symphony no. 1 was front and center, in this performance not an end in itself but serving clearly expressive goals.
Nobody, these days, plays the music of the Strauss family better than the Vienna Philharmonic Orchestra.
The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.
The English horn, of course, is no stranger to haunting melodies.
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
I look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
Three new classical music albums: two are superior, one is a bit of a mixed bag.
My snoring neighbor left during intermission (he was roused a bit when the musical vigor picked up in the finale of the Mozart).
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