Opera
The possibilities of the internet as well as the MET in HD pull Wagner’s dream of a total work of art into the context of 21st-century technology and culture, making possible new cross-cultural and cross-disciplinary references as never before. I think he would have loved it. By Helen Epstein. When I was a musicology student…
Read MoreThe bottom line is that Opera in HD is a huge hit all over the United States and is transforming the art form as it succeeds. Via The Met: Live in HD, New Englanders can experience parts of Wagner’s Ring Cycle without going to New York beginning on October 9 at 1 p.m. with the…
Read MoreOpera on Tap is designed to be surprising and fun – what other opera performance encourages its singers to walk right up to your table warbling high C notes? Opera on Tap at Oberon, September 26 and 27 By Chantal Mendes World famous opera master Luciano Pavarotti wouldn’t have been caught dead performing on a…
Read MoreSnobby and sober no more! Made up of singers who perform arias and duets in bars, Opera on Tap currently presents its innovative songfests in Chicago, New York, New Orleans, and Ann Arbor. Now the concept comes to Boston, with performances tomorrow and Monday night (September 26 and 27) at Oberon in Cambridge. Anne Ricci,…
Read MoreBy Caldwell Titcomb September 1, 8, 15, 22, and 29: Free Wednesday afternoon concerts continue throughout the month. September 1: Pianist Benjamin Warsaw plays works by Bach, Brahms, Beethoven, Liszt, and Warsaw himself. September 8: A further celebration of Schumann’s bicentenary brings a program of songs, with soprano Lisa Lynch, mezzo Carola Emrich-Fisher, tenor Jason…
Read MoreBy Caldwell Titcomb July 7: The Church of St. John the Evangelist offers a series of free, late-afternoon Wednesday concerts, now in their fourth year. The July series starts off with a tribute to the 200th anniversary of Robert Schumann in the form of two of the greatest song cycles ever written (both from 1840).…
Read MoreReviewed By Caldwell Titcomb Opera Boston is winding up its season with a delightful production of Jacques Offenbach’s La Grande-Duchesse de Gérolstein (1867). This operetta, one of more than 100 of Offenbach’s works for the music stage, followed closely after three of his most accomplished contributions: La Belle Hélène (1864), Barbe-Bleue (1866), and La Vie…
Read MoreMozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…
Read MoreReviewed By Caldwell Titcomb I was not able to catch Ariadne auf Naxos until the last of six performances that the Boston Lyric Opera (BLO) presented at the Shubert Theatre. By this time everything was clicking superbly—both the singers and the instrumentalists in the pit. What we got was a production that the BLO imported…
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