Classical Music
Though none of the works exhibit the stylistic flashiness of Fernande Decruck’s better-known contemporaries, they all suggest a musician of singular—and sometimes idiosyncratic—vision.
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The Arvo Pärt compositions here showcase a composer of remarkable stylistic coherence—but never dramatic complacency or creative stasis.
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Paisiello, one of the most successful opera composers in Mozart’s day, offers repeated delight and surprises in this entertainment, thanks to a splendid cast of mostly youngish singers.
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On Christmas Night is a welcome alternative to the inescapable flood of tiresome holiday songs currently assaulting us from radios and shopping mall sound systems.
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With youthful vigor, Yo-Yo Ma performed the complete Bach Cello Suites, intermixing the music with stories of personal success, wishes for future generations, and gratitude for all those who make the Commonwealth function.
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Not only does Michelle Cann hold a seat in the upper echelon of stellar pianists, but she’s a great storyteller as well.
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The destruction and displacement of people today so recall the past that Thomas de Hartmann’s music resounds with fierce, resonant force.
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Concerts in the past week by the Boston Symphony Orchestra with guest artist James Carter and the Orquesta Sinfónico de Puerto Rico with guest artist Luis Sanz were a cultural festival and a musical feast.
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The album ends up paying dividends, not just for fans and students of 20th-century composition, but for anyone interested in the broader reach and global development of classical music in the last century.
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Locke’s List for 2025: Notable Operatic Recordings and a Few Non-Operatic Ones
First recordings of major works and splendid recordings of some others, from Handel to Raff and from Boston’s Musicians of the Old Post Road to the astonishing operatic soprano Aleksandra Kurzak.
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