Classical Music
A new recording of Carl Nielsen’s Symphony No. 5 from the Bergen Philharmonic Orchestra and Edward Gardner captures much of what makes the composer’s writing in it sound so fresh.
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Both players are long-time friends and recital partners; the pair thrive on tackling big stylistic and musical contrasts that are tied together by performances that were both interpretively thoughtful and technically accomplished.
Read MoreConcert Review: Pianist Daniil Trifonov and Baritone Matthias Goerne Perform Schubert’s “Swan Songs”
For those who love Schubert, this was a memorable occasion indeed.
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First-rate performances, including by a Norwegian orchestra and conductor plus superb international singers, make this one a winner.
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Scribble, smudge, repeat: the passage of time and the emergence and dissipation of information conveys the difficult work of experiencing coherence and retaining memory.
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How our memoirist and the man who shook Mickey Mouse’s hand crossed paths is characteristic of the author’s good fortune and perseverance.
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This is a terrific compendium of new music of the best sort: the kind that’s brilliantly written, expressively direct, played with assurance, and engineered with clarity and warmth.
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“Saul “may be an oratorio, but it’s about as operatic as one can get.
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The Latvian conductor can sometimes overindulge in pieces that demand shifts in emotional direction on a dime, so the frenzied eclecticism of Mahler’s Fourth feels tailor-made for him.
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The Junction Trio offered the coolest show in town — an afternoon of experimental music that highlighted their virtuosity as individual players and as a unit.
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